Jennifer Jacobs is an Assistant Professor in Media Arts and Technology at the University of Santa Barbara. Regents of the University of California. Liu founded the NEH-funded Teaching with Technology project at UC Santa Barbara called Transcriptions: Literature and the Culture of Information (recently renamed Literature.Culture.Media) and his English Depts undergraduate specialization on Literature and the Culture of Information. This research was sponsored by the National Science Foundation in 2007-2009 and resulted in a Best Paper award at the 2008 International Computer Music Conference. At UCSB, she directs the Expressive Computation Lab, which . MFA Computers in Fine Arts, CADRE, San Jose State University. He is the recipient of many prizes for his work, including the 2001 Golden Nica Prize at Ars Electronica together with Carsten Nicolai for their work, polar, and the UNESCO Digital Media Prize for Makrolab in 2004. Dr. Kuchera-Morin is a composer, Professor of Media Arts and Technology and Music, and a researcher in multi-modal media systems, content and facilities design. Copyright 2023. Fabian Offert is Assistant Professor for the History and Theory of the Digital Humanities in the Department of Germanic and Slavic Studies at the University of California, Santa Barbara. Office: ED 3224, Katie Blackwell George Legrady, Distinguished Professor of Digital Media. and B.F.A from Hunter College and the University of Oregon respectively. His commission for the Seattle Public Library, "Making Visible the Invisible", begun in 2005 is a permanent installation consisting of algorithms that statistically analyze the flow of books and other media that are checked-out daily from the library to map out how library culture is changing over time. Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. He is a founding member and co-PI for the NSF-funded Center for Nanotechnology in Society at UCSB. UC Santa Barbara Santa Barbara, California 93106 (805) 893-8000. Beyond this, Tobias's main research interests lie in virtual reality, 3D displays and interaction, visualization, mobile and wearable computing, and adaptive user interfaces. 0000010120 00000 n Her research examines ways to diversify participation and practice in procedural art and . 0000006941 00000 n Professor Assistant Professor In 2000, he joined the Stanford Graphics Lab where he did research on real-time rendering and computational photography. dyoung@ucsb.edu, Jennifer Scalzo All rights reserved. He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman. My favorite food: TACOS! Office: ED 3243, Mathematics 0000010017 00000 n A composer of mixed media works, she received her Ph.D in 1984 from the Eastman School of Music, University of Rochester. He has also posited a new "Soft Babylon," a theoretical stance which posits that our digitized architectural palette is causing us to create a wired Situationist city, while we struggle with some of the massive paradigm shifts that our era will and must face. "Computation shapes the way people make things," said Stanford Computer Science researcher Jennifer Jacobs to a crowded room in Elings Hall during a Media and Art Technology seminar last week. 2. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. She is the founder of Uproot, UCSB's first BIPOC art coalition. He is interested in expanding the ways in which people interact with computers. and B.F.A from Hunter College and the University of Oregon respectively. . Jennifer Jacobs, J Method Fitness, will help you reach your goals no matter what they are and where you are, rom personal training, cycling, running, shadowboxing, movement and mobility, nutrition, etc. University of California, Santa Barbara. Her current music research is focusing on a general purpose interface for control of digital information through natural performance gesture. AlloSphere Research Group. His music is available on compact discs produced by the MIT Media Laboratory, Wergo, OR, Mode, and Asphodel. Department of Art Undergraduate Research Fellow, Black Studies & Sociology, 2019-present. 1. Alan Liu is Professor in the English Department at the University of California, Santa Barbara, and previously a faculty member in the English Department and British Studies Program at Yale University. 0000003807 00000 n BEng, Systems Design Engineering, University of Waterloo, Canada. University of California, Santa Barbara A fully updated and accurate Bio-Bib is exceptionally important because this is the official record . ,01nXu`LzG3:0e`\qS9Ol*+20r2d01!X~>'@ 4cc endstream endobj 1332 0 obj <>/Filter/FlateDecode/Index[77 1229]/Length 53/Size 1306/Type/XRef/W[1 1 1]>>stream Office: ED 3234, Education Specialist Mild/Moderate Support Needs (ESC, Special Ed) She joined the UCSB faculty in 2001 after receiving her M.S. Records, Milan in 2019. The Laws of Cool: Knowledge Work and the Culture of Information, Local Transcendence: Essays on Postmodern Historicism and the Database, Transcriptions: Literature and the Culture of Information, Literature and the Culture of Information, Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. Jacobs received her Ph.D. from the Massachusetts Institute of . Peljhan has also been the flight director of ten parabolic experimental flights in collaboration with the Microgravity Interdisciplinary Research initiative and the Yuri Gagarin Cosmonaut Training Centre, creating conditions for artists to work in alternating gravity conditions. We need to make computers accessible to all people in all situations. ECL's objective is to foster the development of expressive computational tools for art, design, and engineering. University of California, Santa Barbara. 0000009268 00000 n jennifer jacobs ucsb. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. tdewar@ucsb.edu (805) 893-2084 Jeremy covers Western water, weather and legal issues for E&E News, where he has worked since February 2011. . Dennis Adderton is an Electrical Engineer with 20 years of experience in the design of scientific instruments and is currently employed as Technical Director for the Allosphere Research Facility, in the California NanoSystems Institute at UCSB. He completed a postdoctoral fellowship at Stanford University, where he also earned his MS and PhD in Mechanical Engineering. In this talk, I argue that by developing methods to integrate computational production with manual and physical making, we can dramatically expand the expressive potential of computers and broaden participation in computational production. At UCSB, he is affiliated with the Media Arts and Technology program, the Comparative Literature program, and the Center for Responsible Machine Learning. 0000003926 00000 n Extending Manual Drawing Practices with Artist-Centric Programming Tools In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Montreal, QC, Canada, April 2018. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. Nadya Peek, an assistant professor in the Department of Human Centered Design & Engineering, and her collaborator Jennifer Jacobs, assistant professor at University of California Santa Barbara in the Media Arts and Technology Department and in Computer Science, will develop computational tools to better support dynamic workflows and allow for . And if you know of other websites that may be useful to your colleagues, and should perhaps be added . Register here Vienna, Austria 10, J Li, J Brandt, R Mech, M Agrawala, J Jacobs, Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems, O Fried, J Jacobs, A Finkelstein, M Agrawala, Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing, N Peek, J Jacobs, W Ju, N Gershenfeld, T Igoe, Extended Abstracts of the 2021 CHI Conference on Human Factors in Computing, Proceedings of the 27th ACM Symposium on Virtual Reality Software and, Bi vit mi lin quan n nghin cu ca tc gi ny, Codeable objects: computational design and digital fabrication for novice programmers. Fostering an inclusive environment where students from all backgrounds can achieve their highest potential. Since 1996, he has written widely on the history of science and technology after 1945 including two books: Giant Telescopes: Astronomical Ambition and the Promise of Technology (Harvard University Press, 2004) is an exploration of the politics, policy, and technology behind the current generation of ground-based telescopes while Keep Watching the Skies: The Story of Operation Moonwatch and the Dawn of the Space Age (Princeton University Press, 2008) chronicles the activities of citizen-scientists who organized a global network of satellite spotters during the Cold War. 0000007933 00000 n Since 2017, he is a research fellow at the Institut des mines-telecom ParisTech, Paris, France and the iCinema Lab, at the University of New South Wales, Sydney, Australia. Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. Her work is discussed in numerous books, for example, in "Internet Art" by Rachel Greene and "Digital Art" by Christiane Paul (Thames and Hudson). Chandra Krintz is a Professor at the University of California, Santa Barbara (UCSB). Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. of Chicago Press). Website: ecl.mat.ucsb.edu The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. Single-Subject (SST, Secondary) Content Supervisors: English-Language Arts . The EC2 project was realized by a team consisting of Roads as project manager, with software developers Jack Kilgore and Rodney Duplessis. His interests are the algorithmic composition of instrumental, electronic and computer music, music software development as well as interdisciplinary activities, e.g. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). ventana canyon golf membership fees; what ships are in port at norfolk naval base? Research Assistant, MIT Media Lab Cambridge, Massachusetts, 2011-2017 0000001921 00000 n amber.moran@ucsb.edu Copyright 2023. Public figure. Sep 2019 - Jun 20211 year 10 months. tepapp@education.ucsb.edu His use of a computer as an algorithmic music tool dates from 1971. He is currently writing a new book about "visioneers" - people who used their technical expertise to promote visions of a more expansive future made possible by the technologies they studied, designed, and promoted. At UCSB, she directs the Expressive Computation Lab, which investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. He studied acoustic and electronic composition from 1968-73 at Cologne Music University as well as sonology from 1971-72 at Utrecht University. Amber Moran He has unique experience in HDLAs (High Density Loudspeaker Arrays) through his work in the Sonic Lab in the Sonic Arts Research Centre and the Allosphere at UCSB. Opportunities for PhDs to work on world-class computer science research with faculty members. She also received an M.F.A. Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. Jennifer Jacobs, PhD, is an Associate Professor in the Elementary Education Program at the University of South Florida. Prior to UCSB, she was an Instructor at Harvard Medical School and the Department of Medicine/Division of Women's Health at Brigham & Women's Hospital. His book Composing Electronic Music: A New Aesthetic (Oxford University Press) appeared in 2015. He began his research in the field of British romantic literature and art. Chandra's research interests include automatic and adaptive compiler, programming language, virtual runtime, and operating system techniques that improve performance (for high-end systems) and that increase battery life (for mobile, resource-constrained devices). He recently received the NSF CAREER Award, the NASA Early Career Faculty Award, and the Packard Fellowship. In 2010 he was awarded the lifetime achievement award from the Society for Electro-Acoustic Music in the United States (SEAMUS). When he arrived at UCSB, McCray became more interested in the history of nanotechnology and how it intersected with his prior research on the history of materials. More broadly, she examines how to enable art and design professionals to leverage their domain expertise to develop personal software tools. ALL RIGHTS RESERVED. A Zoran, SO Valjakka, B Chan, A Brosh, R Gordon, Y Friedman, J Jacobs, D Mellis, A Zoran, C Torres, J Brandt, TJ Tanenbaum, Proceedings of the 2016 ACM Conference Companion Publication on Designing, Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, G Benabdallah, S Bourgault, N Peek, J Jacobs, Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, Proceedings of the 1st Annual ACM Symposium on Computational Fabrication, 1-2, Proceedings of the 33rd Annual ACM Symposium on User Interface Software and, Proceedings of Constructionism 2014 Conference. Specialization: Software/Network Art, Information Mapping/Visualization. Connect With UC SANTA BARBARA. Office: ED 3206, World Language (Spanish) Prior to joining UCSB, Jennifer received her Ph.D. from the Massachusetts Institute of Technology and was a Postdoctoral Fellow at the Brown Institute of Media Innovation within the Department of Computer Science at Stanford University. Her work deconstructs technology with material interventions, creating new narratives for hybrid objects that function between human/nonhuman, ancient/future, handmade/autonomous to override power structures rooted in colonialism. Misha Sra is the John and Eileen Gerngross Assistant Professor and directs the Perceptual Engineering Lab in the Computer Science department at UCSB. In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. He is also the director of the MAT Systemics Lab, located in Elings Hall. He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. 0000003695 00000 n 0000002325 00000 n Born in 1945, Clarence Barlow obtained a science degree at Calcutta University in 1965 and a concert pianist diploma from Trinity College of Music London the same year. UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. 3) Broadening entry points into computer science learning by blending programming with art, craft, and design. Office: ED 3232, Single-Subject (SST, Secondary) 0000008107 00000 n Pre-Professional Coordinator: A state-of-the-art research and teaching facility. Department of Computer Science. estabrook@ucsb.edu In 2010-11, he shared a Collaborative Research Fellowship from the American Council of Learned Societies with Cyrus Mody (Rice University) and Mara Mills (NYU) which will help support the writing of this book as well as a new project on "high tech intellectuals". between music and language, and the visual, and would welcome collaboration with MAT students in any of these fields. We couldn't do it without you, our amazing faculty and staff members. Jennifer Pharaoh '82 . Office: ED 3228, Multiple-Subject (MST, Elementary) His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. Computers are becoming more ubiquitous, appearing in a proliferation of shapes and sizes. Major: Black Studies & Sociology. All artwork and text on this site are the exclusive copyrighted works ofthe artist or author. The visualization is scheduled for operation until 2019, with approximately 30000 items checked-out per day resulting at this time, in a collection of over 90 million datasets. Department of Art. He has authored more than 60 scientific articles, and has edited two books on immersive virtual reality. Phone: (805) 893-2968. He is the creator of Artsmesh, a macOS application for live networked music performance. Dr. Cabrera's current research in interactive distributed computation is directed towards tackling the diverse complex issues around computational workflows in scientific research through the merging of human-computer interaction, literate programming, and multimedia display. Jennifer Jacobs (UCSB) Expressive Computation: Integrating Computation with Manual and Physical Making, Masters Program in Computer Science (MPCS), Masters in Computational Analysis and Public Policy (MSCAPP), Equity, Diversity, and Inclusion (EDI) Committee. In a series of theoretical essays in the 1990s, he explored cultural criticism, the new historicism, and postmodernism in contemporary literary studies. The Slowscan label released in 2021 a collection of his electronic music on vinyl LP. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. Santa Barbara, California, United States. %PDF-1.4 % Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . The projects explore alternative, distributed and unintentional collaborations and expressions of these collectives. Hybrid Practice in the Kalahari: Design Collaboration through Digital Tools and Hunter-Gatherer Craft. 0000003066 00000 n A native of Slovenia and a theatre and radio director by profession, Peljhan founded the arts and technology organization Projekt Atol in the early 90's and cofounded one of the first media labs in Eastern Europe, LJUDMILA in 1995. The software was tested in performances on the 48.4 speaker Klangdom of the ZKM, the 54.1 AlloSphere at UCSB, and the 28.2 sound system of the Mumuth in Graz, Austria. He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. My research lab investigates . She is also affiliated with UCSB's Center for Responsible Machine Learning (CRML). Research Director CREATE, and Media Systems Engineer, AlloSphere Research Group. 1306 28 0000004076 00000 n In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. Despite this trend, computational and manual forms of creation are not mutually exclusive. Biography. Jacobs . Media Arts and Technology, University of California Santa Barbara, United States, Andrs Monroy-Hernndez. Sarah Jacobs sarahjacobs@ucsb.edu Office: ED 3232. He was visiting faculty at UCLA, Nova Scotia College of Art & Design, and the National Academy of Fine Arts, Budapest, Hungary. A collection of new electronic music called Flicker Tone Pulse, with visualizations by Brian OReilly is now available on a Wergo DVD. 3. With Dr. Joseph Tilbian, he developed the Stride programming language aimed at simplifying development for interactive embedded and heterogenous systems. He studied organ performance, composition and architecture in Lisbon. New interface technologies become new tools for musical and artistic expression. Tobias Hllerer. Dr. Cabrera worked for more than six years as a professional sound designer and audio engineer and has taught at the undergraduate and graduate level in three countries. with your company email address. Office: ED 2218, English-Language Arts Professor We focus on supporting . Email: alumni@alumni.ucsb.edu (805) 893-2957 tel (805) 893-4918 fax. ECL is seeking PhD students in MAT or CS for the 2020-2021 academic year. His collection of electronic music compositions POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica in Linz and was released as a CD + DVD on the Asphodel label in 2005. She also received an M.F.A. Department of Music. Natalie Holdren Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technology's Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. As a historian, McCray is fascinated by the visions of the future that litter the past. 1960). Researchers. Assistant Professor (Computational Craft and Haptic Media) MS, Geography, University of Toronto, Canada Fax: (805) 893-8736 Dr. Jacobs received her Ph.D. from UC Berkeley and her B.A. As primary investigator, she has received two research grants in 2020 and 2021 from the National Science Foundation Division of Information and Intelligent Systems in computational fabrication for manufacturing and commercial craft. Office: ED 2218, History-Social Science Christina Tague's research is focused on the interactions between hydrology and ecosystem processes and, specifically, how eco-hydrologic systems are altered by changes in land use and climate. 0000007725 00000 n 0000054815 00000 n Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. 0000057383 00000 n Whilst articulating highly fluent theory, he has practiced, producing beautiful ethereal architectures that flux and shimmer as his algorithms run their designed logics. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. Professor hb```b``9sAc[XgzIw6DeaXP!jU"3g2Fss4>y~e+sKCLV$*>3-Gy5bw/k U5 Journal of Experimental Biology 204 (14), 2439-2446, 2001. Prior Employment Postdoctoral Fellow, Computer Science, Stanford University Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Paris, France, April 2013. trailer <<4D7E78DE4B274649907D09471A97BDD3>]/Prev 346937/XRefStm 1555>> startxref 0 %%EOF 1333 0 obj <>stream Defining this emerging field by advancing foundations and applications. She completed a masters of science in the High-Low Tech group and an MFA in Integrated Media Art from Hunter College. Assistant Professor Lisa Jevbratt's work - ranging from internet visualization software to biofeedback and interspecies collaboration - is concerned with collectives and systems, the languages and conditions that generate them, and the exchanges within them. His current major project, which he started in 2005 as a University of California multi-campus, collaborative research group, is Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. 0000006065 00000 n Professor Tague is currently modeling the impacts of climate change on stream-flow patterns in the western United States and examining how urbanization alters drainage patterns and associated biogeochemical cycling in watersheds in Baltimore, Maryland, and Southern California. Work All Rights Reserved. Department of CHEMICAL ENGINEERING Engineering II Building University of California, Santa Barbara Santa Barbara, CA 93106-5080. His musical and multimedia work has included diverse collaborations and media with an emphasis on interactivity and user involvement.

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